Lezingen

27 maart TEXNH-Lezing: Cross-craft interaction under the microscope (Dr. Carlotta Gardner, Fitch 2024 Research and Outreach Officer, BSA)

The Netherlands Institute at Athens, in collaboration with the Royal Museums of Art and History Brussels, The National Archaeological Museum Athens, The Archaeological Research Unit of the University of Cyprus, The École française d’Athènes and The University College Roosevelt (NL) are very pleased to announce a lecture by Dr. Carlotta Gardner, Fitch 2024 Research and […]

24 januari TEXNH-Lezing: Sealings at the intersection of different Crafts: Exploring the Significance of Sealing(s) on Minoan Crete (Dr. Ilse Schoep, KU Leuven)

The Netherlands Institute at Athens, in collaboration with the Royal Museums of Art and History Brussels, The National Archaeological Museum Athens, The Archaeological Research Unit of the University of Cyprus, The École française d’Athènes and The University College Roosevelt (NL) are very pleased to announce a lecture by Dr. Ilse Schoep, Associate Professor KU Leuven […]

Nu Online: de 5e TEXNH-Lezing: “Abrasive technologies and cross-craft interaction in the Bronze Age Aegean world” (Dr Athina Boleti, Universiteit Leiden)

We are glad to share with you the online registration of the fifth session of our new TEXNH-series, which took place on October 18. After a short introduction by NIA-director Prof. Ann Brysbaert, Dr Athina Boleti (Leiden University, Laboratory for Material Culture Studies) delivered the lecture “Abrasive technologies and cross-craft interaction in the Bronze Age […]

2 november: “Dolia should be bought at Rome”: Exploring heavy ceramics elemental to producing, storing, and distributing wine in Roman Italy (keynote lecture by Prof. Maureen Carroll)

It is our pleasure to announce the keynote speech of Professor Maurean Carroll ” “Dolia should be bought at Rome”: Exploring heavy ceramics elemental to producing, storing, and distributing wine in Roman Italy ” that will take place at the NIA on Thursday 2 November (7.00 p.m.) in the frame of the Workshop Consuming the Past […]